What DAW does Emily A. Sprague use?

“But Cloud Time is mainly made with a Vongon Replay synth”

“It was going through the Vongon Polyphrase delay, which can have long delay times up to 22 seconds.”

“I had a second synthesizer, the OP-1, going into a 5 track asynchronous looper”

“i'm playing the opxy and op1 on the table out of frame.”

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“Any time I'm anywhere with an acoustic piano, I bring out my Norns by Monome”

“Yeah, I have a [Fender] Rhodes here in my little studio.”

“I recorded some Buchla Music Easel on a friend's folk record”

“I got a Casio SK-1 keyboard and would add drone layers to my simple guitar songs.”

“That's why I love this little TP-7, because it has no screen.”

“You can connect the little Teenage Engineering TX-6 mixer to the TP-7”

“I've been recording onto a TASCAM, a Portastudio, which is what I recorded Water Memory with.”

“Very slight EQ then compression was added in Logic.”

“The Make Noise Morphagene is a module that I use in almost everything I make.”

“The sequencer that I use for this record that's coming out next year is Hermod+.”

“two rings voices sequenced by hermod+”

“I love all the [now discontinued] Mutable Instruments modules, like Rings and Clouds.”

“that main synth sound was Mutable Instruments Tides, version one”

“I am experimenting with downsizing to 6U thanks to monome and my newly acquired ER301.”

“Updated my SMR firmware today and remembered how great the module is for nice tonal drones.”

“A patch demonstrating the Harmonic Oscillator's amazing capabilities as a drone source.”

“the albums that inspired me most would be”

“I remember the moment I first heard "Gymnopédie No. 1," and it really did change my life.”

“I'm a huge fan of Out of the Blue, the "Blue" Gene Tyranny album.”

“An album by one of my favorite contemporary composers that he made on his phone while walking around Tokyo”