What DAW does Ólafur Arnalds use?

“If I want things to make sense to me, then Pro Tools does just that, because it’s a recording program.”

“I also really like Ableton for new ideas, because you can work so fast and it’s so creative in that way.”

“I’m also using my Stratus software, which I’m finding to be an inspiration machine.”

“For that I use the FabFilter Pro-Q 3, which has been a life-changing plugin.”

“I do a lot of side-chain filtering”

“I like the Sound Toys Decapitator for distortion.”

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“That ended up as a lead line on Burst”

“It’s the most accurate Juno copy we’ve found.”

“But the whole body has the character of a 110-year-old piano.”

“In the middle of making the album, I got a new grand piano that was customised for me by Kawai.”

“For most of the songs on this record, we used the PS-3100, the big polyphonic Korg.”

“I use it mostly for bass and if there's some rhythmic stuff.”

“I prefer the sound of the 60.”

“The 106 I use if I really need to MIDI program something, the 60 if I can play it.”

“It's horrible in a way but it's very beautiful in its horribleness.”

“It's so deep and complex.”

“They're my go-to condensers”

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“But I think most of it was using the old AKG C12A mics, which are the old versions of the C414.”

“I ended up using the Telefunken in three songs”

“But most of the album was recorded through API 512 preamps, just because they're more clean and easier to deal with sometimes.”

“Amazing Austrian tube preamps from the 1950s”

“The other thing that was new for this record was the Studer desk.”

“use Pultec EQs quite a lot because they’re beautiful to use on piano and vocals”

“For effects, I couldn’t live without the Roland Space Echo”

“The Nagra is the perfect tape machine.”